SHOWNOTES: NYC Still Rising 9/10 @ MSG
I went to the MSG charity show NYC Still Rising on 09/10/26. They locked up our phones... so I took notes in my notebook. The following is purely for record-keeping and my own nerding out. For context, I’m a stand-up comedian, so my notes are through that lens.

ALL CAPS are for PERSONS, BITS, and ENTRANCES/EXITS.
Stage setup: A proscenium theater-style stage, with two big screens on the sides. No jumbotron. Twenty-thousand people. My seat was in Section 1, near the mixer, near the floor, but elevated, an unobstructed view with nobody sitting in front of me.
PRE-SHOW
- CIPHA SOUNDS comes out and DJs with half of MSG filled. He starts with hip-hop, “who’s from (insert burrough)”, “we got any Latinos? Blacks? Old Brooklyn in the house?”... “We got any caucasians?” Folks ironically holler. Ciph noted this, “man this room so white, I thought this was a Black Lives Matter rally--” then proceeds to play “white anthems” (80s songs) and says, “Sing along white people,” and they did! “Come on Eileen!” I thought only Black crowds sang along to songs by a DJ playing 90s R&B; apparently White crowds love singing to 80s rock songs.
- The room is about 90% white folks.
- Cipha intros the opener:
SHOW STARTS
- MACHINE GUN KELLY opens the show, ENTERS STAGE LEFT. Brings a guitar out. Performs a few of his songs, very unplugged, singer-songwriter set. Mentioned he spotted a fan that was singing all the words to his songs. Did a cover of Tom Petty’s “Free Fallin”. MGK finishes, says thanks, EXITS STAGE LEFT.
- KNICKS PLAYERS (unsure whom exactly) ENTERED. And intros:
JON STEWART
- LOOKS OLD: I look like this now...
- JEWS
- Explains 9/11 story (sad at first)... but 3 weeks after the attack, he returned: HOMELESS MAN JERKING OFF ON MY APARTMENT STEPS. [crushes]
- Intros:
FIRST-RESPONDER 9/11 FIREFIGHTERS (4ish folks). Throughout the show, in-between comics, there are first-responder families, NYPD, FDNY, and other folks introducing the comedians. In each interim, they thanked Jon Stewart for helping them get the assistance they needed from Congress. The OG 9/11 firefighters come out and intro the first lineup comedian:
JOSH JOHNSON
- SUBWAY, THE DRIP YOU FEEL WHEN YOU WALK NYC, CHICAGO RATS, FOOD RECALL.
- Overall, in my opinion, he did okay. Exits, then:
FIRST-RESPONDER NYPD OFFICERS. They give shout-outs to the NYPD and Jon Stewart for the help. Intros:
RONNIE CHIENG
- Opens on: NO ASIANS IN EPSTEIN FILES [murders]
- WHITE GUYS WHO DATE ASIAN GIRLS [DESTROYS] -- “You have to time it just right when you learn an asian language” [banger]
- JOCKS VS NERDS THEN VS TODAY [murders]
- *accidentally turns off mic, flips it back on quickly*
- AUTISM CHARITY SHOW / AUTISM OF AI CEOS [murders]
- NYC KNICKS PARADE -- *lost train of thought at end of bit, but recovered*, ends set on this.
- Great set. Lots of act outs. I noticed that big act-outs in MSG were a big crowd pleaser and gave a bit of “pop” to the acts.
NYPD OFFICERS intro:
AZIZ ANSARI
- LEVEL ZERO INDIAN / SELF HATING INDIAN STORY
- SAUNA GUY: “TOO MANY LATINOS” [crushes]
- JD VANCE’S WIFE IS INDIAN [murders] -- does act out of bodega guy yelling “Ayyy JD!” [murders]
- NOT INTO DRUGS, BUT LOVE YOUTUBE
- SEAL SCAR / SEAL’S WIKIPEDIA
FDNY FOLKS intro:
NIKKI GLASER
- *riff*: THREESOME WITH PETE/JON STEWART -- “dream cunt rotation” [murders]
- QUIT VAPING [crushes]
- STORY: BLACKOUT SEX POOP [crushes]
- STORY: TAYLOR SWIFT’S WEDDING [crushes]
- Nikki’s act had women rolling in MSG, very fun set
PRE-TAPE VIDEO: JALEN BRUNSON shout-outs to 9/11 heros, then:
FDNY FOLKS talk about Pete Davidson’s Dad, reminisce, and remember meeting Pete as a kid. They intro:
PETE DAVIDSON
- *comes out with sunglasses, explains how he got a concussion a week ago; got a bit emotional at the top looking out at the crowd, “ehh feel retarded”...*
- NO DRUGS ANYMORE...
- STORY: GETTING SOBER
- GRANDPA DYING
- STORY: CAKEFARTGIRL ON EBAUMSWORLD / GRANDPA FINDING OUT [murders]
- “Alright, let’s do this next bit, this happened 3 weeks ago” -- FIREFIGHTER ON MOVIE SET APPROACHING HIM AND YELLING “HEY! (points) 9/11!” [murders]
- Overall, I was amazed: Pete got super funny. That was some really good stand-up; I would go watch a Pete Davidson show.
FIRST-RESPONDER FAMILY MEMBERS intro:
NATE BARGATZE
- HOW MUCH A HORSE COST / HOW MANY CHICKENS FIT IN A HORSE [murders]
- EYEBALL SCANNING, WEB COOKIES, & THE FUTURE [murders]
- BODY [murders / gets applause break on call back to CHICKENS FIT IN A HORSE]
- 9/11 STORY: GUARDING WATER TANKS IN TENNESSEE
- Great set; after seeing him live, I can see why White crowds love Nate.
EMTS intro:
SHANE GILLIS
- LOSING WEIGHT [murders]
- HIKING IS A GIRL ACTIVITY [murders] -- Girl is approaching on hike trail, does a ‘I don’t want to rape you’ face [DESTROYS]
- HOT GAY GUYS AT THE GYM / TIKTOK GYM WOMEN DRESSING LIKE WHORES [murders]
- SAUNA STORY: “GAS STATION EGG” [murders]
- “BITCH HIPS” [murders]
- BREAKUP / DATING HOT YOUNG GIRLS [murders]
- BALDING HITLER-ISH [murders]
- “Alright... I know all your phones are locked up, but don’t tell anyone about this:”
- NO SWEARING DURING SEX [murders]
- NIP LICK KINK [murders] -- *after bit*: “Anways, my parents are here, hahaha...”
- AUTISM CAFE [murders] -- ends set, *apologizes for running the light*
- Shane had the 2nd best set of the night, absolutely murdered. Shane also was different from all the other performers; I was really taken back by how his vibe translated into a stadium: the vibe of a guy hanging n’ talking shit at a bar. Act outs, voices, faces, silly bits. Extremely natural, didn’t feel “performery”.
FAMILY OF 9/11 HEROES intro:
BILL BURR
- BOMBING IRAN / GERMANY / EPSTEIN
- TRUMP’S MCDONALDS / BILL CLINTON & TRUMP -- *after the bit did okay, he called the crowd “sensitive”...*
- BILLIONAIRE GAY SEX
- THREESOME
- CHARLIE KIRK
- BLAMING *MqEHAh* [??? tbh I don’t know what the hell I wrote in my journal, I could only read “MqEHAh”] -- *bit gets clapter...*
- *calls crowd soft, “yo when did NY become a bunch of groaners”...*
- STORY: KID SANDCASTLE [crushes]
- Overall, I could see he was shaky in his confidence and when a bit didn’t work, he blamed the audience. I’ve seen Bill Burr a few times before. The night prior I’ve seen him run these jokes in a new hour at Gotham in front of his own fans. However, people in my section laughed harder at the other comics. There were bouts of no laughs throughout the set. At the Gotham set, his closer was also KID SANDCASTLE.
FDNY enter. After thanking Jon and Pete for throwing the show, they do a moment of silence. FDNY guy says, “Now, please welcome: Dave Chappelle.” Crowd stands and claps.
KEVIN HART
- [crowd is dying over the switcharoo]
- GETTING SON IN A DORM [crushes]
- SONS WANT MOMS [crushes]
- VASECTOMY / HAVING BABY AT 55 [murders]
- STORY: GRANDPA LOCKING BABY IN CAR [murders]
- FAMILY REUNION STORY: WOMEN ON VACATION / SECURITY DETAIL / callback to SONS WANT MOMS [applause break]
- PRE-DIABETES [crushes]
- He casually intros the next comic:
DAVE CHAPPELLE
- *riffs: wow Kevin Hart doing 20 minutes... [murders] -- thanks Jon/Pete and crowd for coming out
- CHARLIE KIRK [DESTROYS]
- BLACK ASTRONAUT ON ARTEMIS [DESTROYS]
- CANDACE OWENS [DESTROYS]
- MUPPETS [murders]
- TRUMP IS SECRETLY GAY [this whole 10-minute chunk was DESTROYING end-to-end]
- EPSTEIN FILES: BILL CLINTON SEX WITH TRUMP
- TRUMP SAYING “GRAB EM BY THE PUSSY” [ends chunk on FULL APPLAUSE BREAK]
- then, crowdwork: (points at guy in 2nd row) “Sir, you have not laughed once at any of these jokes. Let me guess, you voted for the guy?” [murders], then goes “Fuck Trump”. [APPLAUSE BREAK]
- *Mentions: Richard Pryor’s bisexual/gay* to setup:
- P DIDDY MICROPENIS [DESTROYS] -- does a crazy act out of sucking a micro-penis
- *gives shout-outs to other comics and thanks crowd/show*, end set [STANDING OVATION]
- Overall, Chappelle had the BEST set of the night, hands down. I was totally expecting Chappelle to do his pontificatey, meandering bullshit like he kept doing in his recent specials, but he came out murderring, literally destroying MSG. Everything he did was tight and vicious, it reminded me of mid-2010s comeback Chappelle, absolutely insane. He did accents and act outs and crowdwork and impressions and super original premises on sex and politics. So many moments where he found angles that made me go, “how the fuck did he figure that out”.
Jon Stewart comes out on stage and says, “Thank you so much, everybody. Let’s get all the comedians out.” Pete comes out on stage. All the comedians come out on stage: Shane, Nikki, Chappelle, Kevin, Ronnie, Bill, Nate, everyone.
As Pete looks at all the comedians, then looks out onto the thousands of people, he goes, “This was a crappy day. But this really made it. I really appreciate you all being here. Give it up for all the comedians. Let’s take a picture.”
They take a picture on stage. The comedians all say variations of: “Thank you so much. Thank you all. Thank you all for coming out. Really appreciate it. Have a nice night. Bye.”
It was very poignant. Looking back, it was a Jon Stewart and Pete Davidson co-production. I think, based on what comics said on stage and who knows who, Jon Stewart booked Josh Johnson and Ronnie Chieng, and Pete Davidson booked Nikki Glaser, Aziz, Shane, Chappelle, and everyone else. Kevin Hart was a last-minute drop-in as he was in town shooting a movie. Pete was instrumental in all the booking and lineup, and Jon Stewart was key in organizing with the 9/11 charity families.
A few reasons why the comedians came out guns blazing:
- It's a charity show. Comics joked that they "made no money". Financial incentive is a factor, but was likely not a primary reason.
- They did 15min sets in front of 20K people, so they HAD to come out swinging, e.g. every comic immediately opened on a crazy premise line or wild opening riff.
- It wasn't THEIR fans, so they HAD to bring the heat to comedy fans who probably never seen them.
All these variables likely made the comedians take the show in a specific direction where they HAD to murder. I also have a feeling that either Jon Stewart or Pete communicated to the comedians: “Hey, don’t make 9/11 jokes.”
The show was essentially a standard club showcase on a grander scale: a produced show, at a venue, with two creative producers, and comics doing standard 15-20min sets, where the comedians admitted on stage how they were booked: “We got a text from Pete about two months ago.” Every comedian came out with material they’ve been working on for a while, as the crowd were comedy fans likely familiar with some of the lineup’s material from their specials.
Another interesting aspect: in this showcase-style format, you really got to see these comedians as their lineup archetypes. In every traditional NYC showcase show, it feels like bookers put together a lineup based on diversity, background, and style. You have the dry jokes white guy, the storyteller, the token girl on the lineup, the cool black dude, and so on. For this show, it was interesting to see that on a bigger scale: Kevin Hart is the black dude from your barbershop. Shane Gillis is the white guy from your small-town bar. Nate is the dry southerner. Nikki is the blonde party girl. Aziz is the silly Indian dude. Ronnie is the smart Asian guy. They all have their own unique voices and style, but in the format of a showcase, one could see them fit these traditional showcase archetypes. The only comic whom you couldn’t place as a showcase archetype was Chappelle -- in my opinion, he stood out as a true original.
Probably one of the best shows I’ve seen in a while.